OUT ON A LIMB GALLERY
Solo Show April 2016
Vistas and Vineyards
26th Anniversary Plein Air Show
150 Works are on the walls of the LaSells Gallery on the OSU Campus during October. Awards were presented by Juror Karin Clarke of Gallery Schrager/Clarke in Eugene. The Juror's Award went to my painting Still Waters, painted at Findley Wildlife Refuge.
EVENTS GONE BY
Solo Show: Different Strokes
Unitarian Universalist Fellowship of Corvallis
2945 NW Circle Boulevard, Corvallis
July thru August 23rd, 2015
Carnations and Pepper and Knife were chosen to hang in the Northwest Pastel Society International Show at the Great American Art Company in Tacoma, Washington. Michael Chelsey Johnson was the juror.
The show is up from May 9 thru June 20
Carnations won an the Jurors Award---a gift certificate for MORE PASTELS!
It's my third successful admittance so, voila! I am now a Signature Member!
Pink Sky was juried into the Spring Exhibition at the Emerald Art Center in Springfield, OR by juror Eric Weingardt. The show will be up during May, 2015.
Two pieces were accepted into the online members show for Pastel Society of the West Coast, Carnations and Pepper and Knife
Click here to see the show
Two pieces were juried selections in the WATER show at the
Umpqua Valley Arts Association, Roseburg
March 20 through May 1, 2015
Oregon Art Supply
Demo during Art Walk First Friday
October 3, 2014
1020 Pearl Street
Homage to NW Landscapes
Watershed Gallery, Eugene OR
August 12 thru September 20, 2014
Visit my BLOG or FACEBOOK PAGE for current work.
Benton County Courthouse Lawn
9am to 5am
SATURDAY, AUGUST 6 2016
CORVALLIS ART GUILD'S ANNUAL SALES EVENT
Students from the Jam Journalism class at the University of Oregon filmed an interview with me Fall term, 2014. Bryan Cargill, Fahmo Mohammed and Stephanie Lambirth made the experience a comfortable delight. Here is the video they made. There is also an article on the Register Guard's blog.
VIVID PASTELS by AWARD WINING ARTIST
My pastel landscapes are of real and imagined places. Each painting is an experiment to express an idea about place and atmosphere. They are painted pretty quickly, over a day or two, and many do not succeed. I am not patient but I am persistent.
I go back to the same places to paint over and over again to record the weather, the quality of light, the reflection of water, the growth of grasses; all the changes in a place over time. Familiarity breeds understanding and a focused sense of the place so that I can express its fundamental nature simply.
I also paint from memory, reentering places I have visited in the past. These imaginings are strong images distilled as designs as well as places. I often work over old, failed, pieces that peek through, influencing the new layers of pastel, a bit of a surprise. The sanded paper and fixative spray allow for layer upon layer of pastel, glazes of color that aren't muddy. The large blocky pastels I use don't lend themselves to fine detail.
I have always drawn and painted. Growing up in a busy family with five kids that valued creativity in all the arts, I was the designated visual artist. Later, I chose a landscape architecture career that honed my designer's eye and drawing skills. Those years of creating three dimensional spaces, designing with shadow, sunlight, color and texture, naturally inspired my passion for painting landscapes.
When I turned 50, my children grown, I decided to put in my 10,000 hours to master pastel painting. Now, some (many) years later, I've participated in juried shows, solo shows and group shows and have even been published in a national art magazine. I quit my day job and became a full time artist when I fell in love and moved to the King's Valley area in the Coast Range of Oregon, near Corvallis.